The film’s opening is as awkward and heartbreaking as any I can remember. The Duke of York (Colin Firth) stands before a crowded exhibition at Wembley Stadium, 1925. He steps to the microphone and freezes up, failing to deliver his words properly. His stammered speech echoes endlessly through the stadium. His wife (Helena Bonham Carter) accompanies him as he visits many speech therapists, none of whom prove effective. As a last resort, she seeks the help of Lionel Logue (Geoffrey Rush), a speech therapist with unorthodox methods. Lionel works with the Duke, who he calls “Bertie,” for over a decade. When the Duke’s brother abdicates the throne, the Duke of York inherits the crown, a looming war, and an empire in need of a reassuring voice.
Colin Firth has been a splendid, much-loved actor for many years, but the time has certainly come for award recognition. His performance as George VI is understated and completely believable. His stammer isn’t overdone but is a fluid part of a rounded performance. I genuinely felt sorry for him every time he was forced to speak publicly. As strong as Firth is, Geoffrey Rush nearly steals the show as the therapist who is unwilling to make exceptions for his royal patient. Again, the performance is powerful but restrained and believable throughout. I forgot I was watching actors. The supporting cast, screenplay, director, and picture could all win Oscars as far as I’m concerned, but Colin Firth’s performance must be recognized.
Many movies based on inspiring true stories try to be inspiring much too soon. Strong music and telling shots early on can tip a film’s hand and make it all a bit too cheesy. The King’s Speech doesn’t utilize the common cinema “tells” for when an inspiring true story is in the works. Even at its most triumphant moments, the film maintains a quiet dignity, moving at a tone and pace appropriate for Britain’s reserved Royal Family. The film covers 14 years in two hours, but the script mixes tension, joy, sadness, and humor in just the right amounts so that the overall experience evokes real life. The dialogue is superbly crafted and consistently charming.
Watching footage of Adolf Hitler, the king’s young daughter asks, “What’s he saying, Daddy?” “I don’t know,” he tells her, “but he seems to be saying it rather well.” George VI understood that the true power of the King of England was the ability to inspire his people, and the story of how he learned to do so is one of the year’s great moviegoing surprises. Word of mouth is spreading like wildfire on this picture; my wife and I were turned away from a sold-out showing and had to return the next day. At the film’s end, the audience cheered and rightfully so. The King’s Speech is an inspiring story, a great drama, and one of the finest films of 2010.
Click here to view the trailer.
For the Parents:
MPAA Rating: R for some language.
I think the MPAA got this one wrong. Yes, I know the rule about how many “F words” constitute an R rating, but the language here is concentrated in two or three scenes, and it’s used exclusively for comedic purposes. The King spouts profanity in an effort to enunciate properly and calm his nerves with hilarious results. There’s nothing sinister or mean spirited about this picture. If it were up to me, I’d switch this movie’s R rating and True Grit’s PG-13 in a heartbeat.